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Since that time enterprising publishers have kept coming up with similar ideas. Two notable examples in my collection are Variations sur l’amour (1968) and its companion volume Variations sur l’imaginaire (1972). Both were published by Philippe Lebaud, under his unenticing-sounding fine-press imprint Club du Livre, and each pairs 20 writers and 20 artists. All the illustrations are original colour lithographs.
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André Masson (1896-1987_
Les incertitudes de Psyché
Lithograph 1968, printed by Fernand Mourlot
Unlike most livres d’artiste, the two volumes of Variations were published as bound books, with lavish leather bindings, rather than as folded and gathered sheets in a chemise and slipcase. Both were published in editions of 190 copies: 20 on Japon nacré, 30 on Auvergne, and 140 on Rives. The first 50 copies were accompanied by an additional suite of the lithographs, printed on Rives. All the lithographs in the suites and in the books were hand-signed by the artists, and all the texts were signed by the authors.
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Jules Cavaillès (1901-1977)
Récitative
Lithograph 1968, printed by Fernand Mourlot
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André Planson (1898-1981)
Ann de Saint-Jean
Lithograph 1968, printed by Jacques Desjobert
Both of my copies are on Japon nacré (pearlised japan paper), and both have one of the 50 extra portfolios of loose lithographs. I’m not going to post all 40 images, but I thought a selection would make an interesting comparison with Douze poètes, douze peintres. Interestingly only one artist features in both Douze poètes and Variations, André Minaux.
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André Minaux (1923-1986)
Les amants
Lithograph 1968, printed by Fernand Mourlot
The artists in Variations sur l’amour are Yves Brayer, Jules Cavaillès, Jean Commère. Lucien Coutaud, Leonardo Cremonini, Léonor Fini, Paul Guiramand, Félix Labisse, Édouard Mac’Avoy, André Masson, Blasco Mentor, André Minaux, Marcel Mouly, André Planson, Édouard Pignon, Michel Rodde, Georges Rohner, Maurice Sarthou, Pierre-Yves Trémois, and Ossip Zadkine.
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Leonardo Cremonini (1925- )
De l'autre côte du miroir
Lithograph 1968 (dated '66 by artist), printed by René Guillard
Leonardo Cremonini
Urgence du désert
Lithograph 1972 (dated '71 by artist), printed by Fernand Mourlot
The artists in Variations sur l’imaginaire are Gilles Aillaud, Enrico Baj, Lucien Coutaud, Leonardo Cremonini, Maurice Delmotte, Fred Deux, Bernard Dufour, Joachin Ferrer, Léonor Fini, Jean Hélion, Jacques Hérold, Félix Labisse, Jacques Lamy, Stanislao Lepri, François Lunven, André Masson, Jacques Monory, Cesare Peverelli, Man Ray, and Georges Rohner.
Enrico Baj (1924-2003)
Vertiges
Lithograph 1972, printed by Michel Cassé
Man Ray (1890-1967)
Imagination-subversion ou l'image y nait
Lithograph 1972, printed by Clot, Bramsen, et Georges
The reason for the relatively small overlap between the two volumes (only Coutaud, Cremonini, Fini, Labisse, Masson, and Rohner) contribute to both lies in the differing themes of the texts. Whereas Variations sur l’amour was a natural choice for lyrical postwar colourists such as Jules Cavaillès, Paul Guiramand, André Minaux, and André Planson, and for artists drawn to erotic themes, such as Léonor Fini, Blasco Mentor, and Pierre-Yves Trémois, the artists responding to the thought-provoking texts in Variations sur l’imaginaire are all Surrealists or Hyper-realists.
Léonor Fini (1908-1996)
Sphinx (Pseudo-sonnet avec un intermède)
Lithograph 1972, printed by René Guillard
Lucien Coutaud (1904-1977)
Figure de l'aire rouge
Lithograph 1972, printed by Jacques Desjobert
There are biographies of all these artists on the Idbury Prints website, so I won’t repeat all that information here. I’ll just note that each book has one posthumously-published lithograph (both, happily, signed by the artist before his demise). In the case of Variations sur l’amour the death of the Cubist sculptor Ossip Zadkine in 1967 at the age of 77, after a long and successful career, was probably not unexpected. His lithograph Haute mâlerie must be one of his very last works.
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Ossip Zadkine (1890-1967)
Haute mâlerie
Lithograph 1968 (presumably executed 1966/67), printed by Maurice Pons
With Variations sur l’imaginaire, the loss was more shocking and abrupt. François Lunven was the shooting star of French art. His first works, shown at the Galerie Transart, Milan in 1970, caused such a sensation he was accorded a solo exhibition at the Musée d'Art Moderne in Paris the following year, but he killed himself on the eve of the show, at the age of just 29. Again, his lithograph Poète aux interstices must be one of the last works he created.
François Lunven (1942-1971)
Poète aux interstices
Lithograph 1972 (presumably executed 1970/71), printed by Michel Cassé