Showing posts with label Felix Hollenberg. Show all posts
Showing posts with label Felix Hollenberg. Show all posts

Wednesday, February 29, 2012

The landscape of German art in 1898

I've recently acquired a run of the Leipzig art revue Zeitschrift für Bildende Kunst from its founding in 1866 through to 1901. Especially in the 1890s, when the emphasis switches from interpretative etchings to original works, it provides a good overview of the German art of the day. There isn't the revolutionary zeal of a journal such as Pan, but that gives the more cutting edge art a more clearly defined context - we can see both where it came from and where it's headed. The four landscapes in this post were all published in Zeitschrift für Bildende Kunst, Neue Folge IX, 1898. They treat similar motifs in the same medium, but vary dramatically in feel. They work steadily through from a fairly conventional realism, to Impressionism, Post-Impressionism, and finally to Expressionism. I admire all four prints, but particularly like Else Ruest's conventional but tenderly-observed landscape and Walter Leistikow's darkly brooding inscape. The two could hardly be more different, but each "expresses" the personality of the artist with subtle control.

Else Ruest, Landschaft
Etching with aquatint, 1898

Else (Elisabeth) Ruest was born in Hanover in 1861, and studied under V. Roman, Richard Volkmann and Herman Gattiker. She died in 1945. There are a number of paintings by her in the Hanover Museum, but like so many women artists she seems to have been largely forgotten. This is the only etching of hers that I have seen.

Peter Halm, Landschaft
Etching, 1898

Peter Halm was born in Mainz in 1854. From 1895 Peter Halm was professor of etching at the Munich Kunstakademie, where he himself studied under Raab and Lofliz. He died in 1923.

Felix Hollenberg, Landschaft
Etching, 1898

Felix Hollenberg was born in Sterkrade in 1868. He studied at the Academies of Düsseldorf and Stuttgart, where his professor was Albert Kappis. He won a bronze medal at the Exposition Universelle in Paris in 1900. The Felix Hollenberg Galerie, dedicated to his art, is in Gomadingen, Germany, where he died in 1945.

Walter Leistikow, Landschaft
Etching, 1898

Walter Leistikow was born in Bromberg (the German name for Bydgoszcz in Northern Poland) in 1865. Leistikow studied in Berlin in the atelier of the Norwegian painter Hans Frederik Gude. He was also strongly influenced by the poet Gerhart Hauptmann. Walter Leistikow was one of the artist who developed the language of Symbolism into the Jugendstil (German Art Nouveau) movement; see this article at The Textile Blog for his wallpaper designs. In the latter half of the 1890s he contributed original etchings to the revolutionary art journal Pan. This marked his break from the conventional art establishment of the day, with which Leistikow had been associated as a Professor at the Berlin Academy of Fine Art from 1890-1893. By 1898 his landscape art, of which this is I think a very fine example, had developed into full-blown Expressionism. It was so threatening to the German art establishment that in that year Leistikow's work was rejected by the Berlin Academy as below standard. Walter Leistikow's increasing estrangement from the official art of the day was marked in 1899 by his role as one of the founders of the Berlin Secession. He died in 1908 at the age of just 42.

Wednesday, March 3, 2010

Jugendstil bookplates


The bookplate or ex libris has put bread and butter on many an artist’s table, and over the course of time has developed into a flourishing art form all of its own. I don’t pretend to know very much about the history and development of ex libris, but seem to have acquired some anyway. I think this little group of Austrian, Czech and German bookplates of the Jugendstil (Art Nouveau) period are particularly charming. They come from the Vienna art revue Die Graphischen Künste, from the years 1911, 1912, and 1914.

Maximilian Liebenwein (Austrian, 1869-1926)
Ex libris Josef Kundrat
Lithograph, 1910

Maximilian Liebenwein
Ex libris Karl Stark
Lithograph, 1910

Maximilian Liebenwein
Ex libris der Verbindung von Wiener Kunstakademikern “Athenaia”
Lithograph, 1910

Alfred Cossmann (Austrian, 1870-1951)
Ex libris Arthur Graf
Etching, c.1912

Alfred Cossman
Ex libris Franz J. Kaiser
Etching. c.1912

Alois Kolb (Austrian, 1875-1942)
Ex libris Gertrud Kolb
Etching, c.1914

Rudolf Junk (Austrian, 1880-1943)
Ex libris Rudolf Junk
Lithograph, c.1914

Arnošt Hofbauer (Czech, 1869-1944)
Ex libris Leopold Heyrovsky
Lithograph, c.1914

Emil Orlik (Czech, 1870-1932)
Ex libris Martha Poensgen
Lithograph, c.1914

Martha Hofrichter (Czech, 1872-1960)
Ex libris Anna Boeck
Lithograph, c.1914

Otokar Štáfl (Czech, 1884-1947)
Ex libris Otokar Štáfl
Lithograph, c.1914

Felix Hollenberg (German, 1868-1945)
Ex libris Albert Gussmann
Etching, c.1914

Julius Diez (German, 1870-1957)
Ex libris Toni Stadler
Lithograph, c.1914